Post State of the Union, the speech that is still sounding in my mind is one that was given back in November: Ursula Le Guin’s address at the National Book Award ceremony. Yes, she chided us for selling books “like deodorant,” but these are the words that are resonating in me:

“Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality.”

We will need writers who can remember freedom.

CommonsenseChilling thought, especially in a country that purports to be founded on freedom. Our America was to be a new world where human rights were declared and held inalienable. And if that world, sadly, has never yet existed; if the gap between what we want to believe we are and how we actually act is huge and filled with death, torture, slavery, incarceration, brutality, poverty, inequity and fear…it is worth remembering that it was a pamphlet that helped spark the American Revolution: words on a page that conveyed a vision of freedom and individual worth so compelling that people gave their lives for it.

Le Guin reminded us that, “Any human power can be resisted and changed by human beings. Resistance and change often begin in art.” Art, after all, is the manifestation of our radical imagination; our means of sharing our vision of a better world.

Writers: If you remember freedom and do not see it around you, start writing. Write about whatever feels urgent to you. It might be family or fantasy; it might be poetry or a post-apocalyptic dystopian TV show. Your truths will resonate, and you will go on record: contributing your vision, no matter how shrouded in metaphor, how personal, to the formation of our collective future. You are change: good or bad, loud or silent.  Your choice matters.  And if you write because you care and not to be the next best brand of deodorant; if you are fearless in your truths; you can change the world.

Speech excerpts: © 2014 Ursula K. Le Guin

**For any of you who also happen to read my very occasional blog, yes, I posted these thoughts there too.  But here’s a challenge for you writers in the world: what are you writing now that is fearlessly truthful?  What have you read, seen, listened to that spoke to your truths?  If you made it all the way to this small disclaimer, please share what you feel is urgent.  Tweet the answer to @goddardmfaw, and @r3reiko, and let’s see what happens!

Resistance and Change: Ursula K. Le Guin’s Radical Imagination
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Rahna Reiko Rizzuto is the author of the memoir, Hiroshima in the Morning, which was a National Book Critics Circle Finalist, an Asian American Literary Award Finalist, a Dayton Literary Peace Prize Nominee, and the winner of the Grub Street National Book Award. Her first novel, Why She Left Us, won an American Book Award in 2000. Her third book, Shadow Child, will be published by Grand Central Publishing in 2018. She is also a recipient of the U.S./Japan Creative Artist Fellowship, funded by the National Endowment for the Arts. She was Associate Editor of The NuyorAsian Anthology: Asian American Writings About New York City and is a Hedgebrook alumna. Reiko has been interviewed widely on motherhood including on The Today Show, 20/20, and The View. Her articles on motherhood, Hiroshima, the Japanese internment camps and radiation poisoning have been published globally, including in the L.A. Times, Guardian UK, CNN Opinion and Salon, and through the Progressive Media Project. She is a faculty member at Goddard College in the MFA in Creative Writing program, and is the advisor of the national literary journal, Clockhouse. Reiko is Japanese/Caucasian and was raised in Hawaii. She is the founder of the writing retreat Pele's Fire on the Big Island of Hawaii.

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