I don’t know why you write, he said (in a text). You don’t believe in anything. But is that true?
Though the newest version of the Echo is decent, you can get a better response to life if you use your own voice—i.e. the Personal Echo. The Personal Echo is in high demand because it offers the gift of someone else controlling your life, but doing it in a way that feels as if you are talking to yourself. And truly, what writer wouldn’t want that?
I was welcome to stay at her house as long as I wanted, but had to come with her out to the ranch to meet and feed her horse, Kansas.
What is writing for?
I confess that, after having taught creative writing for more than 35 years and read tons of student writing I don’t remember and tons of good and great books by good and great authors I also don’t remember, I sometimes find myself wondering if we really need any more new writing.
As soon as
you find your voice, you’ve lost it
The ReMix begins: 2004 draft cuts: (in parens)– 2017 adds: IN CAPS:
After the election, I saw and felt a frozenness–I NEEDED (wanted) poetry (to arrive and speak to me–) to convert (a tableau of different shades of) dread to (a weave of) courage and CUT A PATH TO transformation. TO ROAR. I wanted something to take AND SPEAK the pain, (naturally). And poetry can hold IT (every complex yearning).
Many thanks for the wonderful response to Clockhouse Volume Five–here are a few more excerpts! To learn more about Clockhouse and its contributors, to purchase past and current copies, and to submit work for next summer’s Volume Six, please
Clockhouse, the national literary journal published by the Clockhouse Writers’ Conference in partnership with Goddard College, is extremely pleased to announce the publication of Volume Five and to offer a few excerpts here. We hope you’ll visit the Clockhouse
Goddard MFA faculty member Kenny Fries‘s In the Gardens of Japan was published by Garden Oak Press. The book includes drawings by Ian Jehle. In the Gardens of Japan is a companion to In the Province of the Gods, which will be published
Casey worked as a journalist in the Marines until, in the late l970’s, she attended a writing conference in California where one of the faculty told her she should, be writing poetry instead. Casey took this person and their work and when she returned to base, declared herself resident poet, meaning she would no longer report to duty.
I gave my name
rank an serial number,
said I was a poet. Beyond
that I refused to speak.
Rather than send her to the brig for going AWOL, Casey’s superior officers sent her to the psych ward. Part of her time in the psych ward is a subject of this book.
“This issue celebrates the pain and brilliance in the breaths we take or don’t. See how much time has to offer in the 2016 issue of Clockhouse.” So says Editorial Director Sarah Cedeño in her reflection on what so many
Goddard MFA in Creative Writing faculty member Douglas A. Martin‘s poem “Eelgrass” was chosen for the Poem-a-Day project of the American Academy of Poets. The poem appeared on October 13 and can be read here. Poem-a-Day is the original and only daily
I knew—gay club–when I heard it on the radio. Florida: old mistress to the Right, corrupt, stolen-election, multi-lingual, and one of the gay capitols. All at once.
Goddard MFA Faculty member Bhanu Kapil offers an experiment in recursion: “I’m descending as I write these words. I’m flying above the Pacific Ocean as I write these words, refusing to do it, to read or to write…”
Port, starboard, forward, aft, bow, stern, fo’c’sle, lazarette, half hitch, clove hitch, bowline, lovers knot, freeboard, false deck, fairlead, deck-winch, vanging-winch, picking boom, power block, davit, dump-box, buoy stick, PTO, chiller, seacock, shaft, rudder, keel, magnetic north, true north, degrees of variation, aurora borealis, bio luminescence, Morning Star.