Though the newest version of the Echo is decent, you can get a better response to life if you use your own voice—i.e. the Personal Echo. The Personal Echo is in high demand because it offers the gift of someone else controlling your life, but doing it in a way that feels as if you are talking to yourself. And truly, what writer wouldn’t want that?
I was welcome to stay at her house as long as I wanted, but had to come with her out to the ranch to meet and feed her horse, Kansas.
To blog or not to blog–that is the question, writers. Whether it is nobler to essay than to blog is a serious matter, and not everyone can do it or do it well.Because to do it well, one must face the truth of blogging and accept it: it’s a genre. It has rules. It requires… attention to craft.
What is writing for?
I confess that, after having taught creative writing for more than 35 years and read tons of student writing I don’t remember and tons of good and great books by good and great authors I also don’t remember, I sometimes find myself wondering if we really need any more new writing.
As soon as
you find your voice, you’ve lost it
I walked away and sat trembling on the back step of an abandoned building on campus, embarrassed. Later, at home, still thinking about it and unable to shake the feeling of being somehow exposed to view, I made myself a cup of tea and ate a slice of buttered toast…
Name: The Institute for the Appreciation of Beauty in Ordinary Things
Founder: Elena Georgiou
Mission: To build an Arsenal of Beauty to use in the War on Ugly.
Funded by: Crowdsourced with donations of beauty and power by the General Public*
The ReMix begins: 2004 draft cuts: (in parens)– 2017 adds: IN CAPS:
After the election, I saw and felt a frozenness–I NEEDED (wanted) poetry (to arrive and speak to me–) to convert (a tableau of different shades of) dread to (a weave of) courage and CUT A PATH TO transformation. TO ROAR. I wanted something to take AND SPEAK the pain, (naturally). And poetry can hold IT (every complex yearning).
Many thanks for the wonderful response to Clockhouse Volume Five–here are a few more excerpts! To learn more about Clockhouse and its contributors, to purchase past and current copies, and to submit work for next summer’s Volume Six, please
Clockhouse, the national literary journal published by the Clockhouse Writers’ Conference in partnership with Goddard College, is extremely pleased to announce the publication of Volume Five and to offer a few excerpts here. We hope you’ll visit the Clockhouse
On August 11, Goddard MFA alum Simone John will launch Testify at 7pm at Porter Square Books in Cambridge, MA. In Testify, published by Octopus Books, Simone’s first full-length book of poems, she experiments with documentary poetics to uplift stories of black people impacted by state-sanctioned violence.
Goddard MFA alumna Laurel Radzieski‘s Red Mother will be published by NYQ Books in early 2018. Red Mother, Laurel’s first book of poems, weaves a love story told from the perspective of a parasite. This series of short poems explores the
Goddard MFA alum Kevin Rabas has been named Kansas Poet Laureate. He will serve in this position for two years. Kevin Rabas teaches at Emporia State University, where he leads the poetry and playwriting tracks and chairs the Department of
Casey worked as a journalist in the Marines until, in the late l970’s, she attended a writing conference in California where one of the faculty told her she should, be writing poetry instead. Casey took this person and their work and when she returned to base, declared herself resident poet, meaning she would no longer report to duty.
I gave my name
rank an serial number,
said I was a poet. Beyond
that I refused to speak.
Rather than send her to the brig for going AWOL, Casey’s superior officers sent her to the psych ward. Part of her time in the psych ward is a subject of this book.
I wanted to open the valise of what could not make the trip into English. I wanted to hear Cortázar’s voice, the author speaking the language in which he wrote.