As those of you who are either on the staff of CLOCKHOUSE or were a participant in the 2018 Clockhouse Writer’s Conference & Retreat already know, Sarah Cedeño–Editorial Director of Clockhouse from Volume Four through Volume Six–has stepped down in order
Lately I’ve been thinking a lot about thrillers. About why recently I’ve been reading them compulsively at all hours of the day and night. Maybe the subject for a new book? I’m thinking about that. In the meantime I devour them at a great rate.
After almost twenty years of teaching in the MFA in Creative Writing program at Goddard, I am going to retire. When I first started working at Goddard, there was one campus only, in Vermont. I went to Plainfield, where I’d
The Creative Independent, “a growing resource of emotional and practical guidance for creative people,” featured MFAW-VT faculty member Douglas A. Martin in their Sunday Edition Interview. Here is a taste: “My book began its life as a dissertation. My approach was something like
After almost twenty years in the making, Rahna Reiko Rizzuto reflects on the many influences and the long process of bring a novel into the world. On Friday, this essay appeared on Lit Hub’s Crime Reads. “My novel was sparked by a true crime, but it refused to become a thriller. Nearly two decades ago, a friend of mine was raped…”
I was welcome to stay at her house as long as I wanted, but had to come with her out to the ranch to meet and feed her horse, Kansas.
Last week I finished my first pass page proofs for Shadow Child, my new novel coming out in May. I started it in the year 2000. Holding those pages in my hands, with their elegant design and their printing marks,
There is a stack of summer books on the floor still to return to the library, that have reached their renewal limit, overdue.
Goddard College MFAW faculty member Kenny Fries: The editor wanted to crop the photograph so it only showed, close-up, the lower portion of the photograph, which showed my cane and shoes. Next to it would be a similarly cropped version of a photo of South African Olympic runner Oscar Pistorius, taken long before his trial for murdering his girlfriend.
Goddard College MFAW alumna Christine Kalafus: What happens when nothing happens has this practical, grown-up writer falling prey to childlike superstition. My jeans fit today with no evidence of muffin-top so clearly I will win Big Essay Contest! or My mother has called three times and I haven’t called her back; obviously Prominent Literary Magazines will say no. If my grown-up bargaining isn’t exactly like what I experienced as a kid, it feels unnervingly close. I am reminded that, whenever I wait for a subjective response, I’m in danger of handing someone else my self-esteem.
Self-publish? Mon Dieu! and Sacre bleu! Never! After all, we students in Goddard’s MFA Creative Writing program aim to hone our writing to such an elegant point that we assume agents and publishers will beat down our doors, right?
Goddard MFA Faculty member Victoria Nelson talks about literary life tests: the ones you face out there in the world after you graduate. “Pay attention to the outside cues…”
I had no idea how to start a press but my fingers searched for the path and I began to feel my way in the dark, researching different options and learning as I went along while fueled by the love of writing poetry and the love of sharing poetry that I loved.
Today it’s popular to say that political correctness is destroying America, but a recently discovered set of century-old clippings offer a cautionary reminder of what our country was like without political correctness. Goddard MFA faculty member Aimee Liu’s opinion piece about political correctness and her family history was published in the LA Times on March 27.
By Heather Leah Huddleston Goddard MFA alumna Carolyn Locke’s poetry embodies the spiritual, the ethereal, and the human, all wrapped in a tight package to create sense, meaning, and magic of this world. Her words reflect that which we all